Introducing artworks to Bruno was a jubilant exercise, but also a risky one. Not finding the right way to describe the artwork’s sensitive displacements, the networks it unfolded, the affects it stimulated would mean immediately losing his attention, without any hope of return. On the other hand, if the work began to speak, Bruno would show visible pleasure in opening himself to a new experience, discovering previously undetectable aspects of the work, connecting it to unexpected references, and then expressing deep gratitude.
From Barzakh to Mariupolis: In Memory of Mantas Kvedaravičius
Remembering Sylvère Lotringer
We’ll miss Sylvère because he was a friend. But we’ll also miss him because now, more than ever, we need spiritual adventurers and cultural explorers like him.