Anne Robinson is a multidisciplinary visual  artist. Her practice is mainly film-based, often collaborative: concerned with the perception and politics of time passing, queering technologies, and working speculatively with archives to listen to the past. The Hurrier (2021), Poor on the Roll (2021), Wakeful (2018) and Thrashing in the Static (2014) draw on archival documents to expand on hidden lives. Screenings include APT, CCA Glasgow, Whitechapel, and Southwark Park Galleries. Film/sound  collaborations include percussionist Limpe Fuchs and Breathing Space; and The Hurrier as an  expanded work included a broadside ballad, and a conversation/podcast with Feminist Library on art, class, and bodies. Robinson was a commissioned artist  for Queer Times at GoMA in 2018; and as a former member of See Red Women’s Workshop, she co-wrote See Red: Feminist Posters 1974-1990 (2016). Several See Red works are in the exhibition Women in Revolt! at Tate Britain, 2023/24. Robinson teaches Fine Art at Middlesex University.