461 documents
New Silk Roads
Timothy Mitchell, Nishat Awan, Zahra Hussain, Asia Bazdyrieva, Solveig Suess, Tim Winter, Danika Cooper, Maia Adele Simon, Tekla Aslanishvili, Orit Halpern, Jeremiah Ikongio, Ştefan Rusu, Jamie Allen, Merve Bedir, Peter Mellgard, e-flux Architecture, Rouzbeh Akhbari, Anna Engelhardt, Mark Cinkevich, Stephanie Sherman, Gary Zhexi Zhang, and Mila Samdub
Architecture Project
Posted: September 18, 2024
Category
Globalization, Economy
Subjects
China, Caucasus & Central Asia, Infrastructure, Extractivism, State & Government
New Silk Roads
Small and Close or Big and Far Away
Gary Zhexi Zhang
Architecture Essay
Posted: September 16, 2024
Category
Architecture, Urbanism, Data & Information, Technology
Subjects
China, Infrastructure, State & Government
e-flux Criticism
Posted: July 31, 2024
Category
Urbanism
Subjects
Photojournalism, China, Street art
OÖ Landes-Kultur GmbH
Ai Weiwei: Transcending Borders
e-flux Announcement
Posted: June 26, 2024
Subjects
Archeology, Art History, China
Institution
Feral Socialist Realism
Xin Wang
e-flux Notes
Posted: June 21, 2024
Category
Film
Subjects
Socialist Realism, China, Soviet Union, Artificial intelligence
e-flux Events
Posted: June 6, 2024
Category
Film, Labor & Work, Feminism, Globalization
Subjects
Video Art, China, Biopolitics, Environment
Swiss Institute
Shuang Li: I’m Not / Kobby Adi: Cloisters & Instruments
e-flux Announcement
Posted: May 1, 2024
Subjects
Pop Culture, Housing & Real Estate, China, Experimental Film, Institutional Critique
Institution
Museum Angewandte Kunst
In the Garden of Satisfaction
e-flux Announcement
Posted: March 25, 2024
Category
Painting
Subjects
China, East Asia
Institution
The Gift
On Nonreciprocal Giving
Ye Liu
Architecture Essay
Posted: March 18, 2024
Category
Architecture, Marxism , Labor & Work
Subjects
Africa, China, Industrialization, Revolution
Launch of e-flux journal issue #142: Cosmos Cinema
Kite, Christina Kiaer, Xin Wang, Yin-Ju Chen, Hallie Ayres, Lukas Brasiskis, and Anton Vidokle
e-flux Events
Posted: March 7, 2024
Category
Avant-Garde, Religion & Spirituality
Subjects
Publications, Biennials, Cosmism, Soviet Union, China, Science Fiction, Outer Space
e-flux Criticism
Posted: February 29, 2024
Subjects
China, USA, Identity Politics, Diaspora
The Gift
Architecture Essay
Posted: February 28, 2024
Category
Architecture, Urbanism
Subjects
East Asia, Infrastructure, State & Government, Soviet Union, China, Community, Domesticity, Post-Communism
M+, West Kowloon Cultural District
Shanshui: Echoes and Signals
e-flux Announcement
Posted: February 3, 2024
Subjects
Landscape, Digital Humanities, China
Institution
Aranya Art Center
Exhibition program 2024
e-flux Agenda
Posted: January 19, 2024
Category
Painting, Sculpture
Subjects
Poetry, China
Institution
e-flux Film
Category
Music, Film, Anthropology & Ethnography
Subjects
Extractivism, Video Art, East Asia, China, Human - Nonhuman Relations
M+, West Kowloon Cultural District
M+ Cinema winter edition
e-flux Announcement
Posted: January 2, 2024
Category
Film
Subjects
Video Art, Fashion, China
Institution
Beijing Inside-Out Art Museum
Road to Enigma and Profundity / Qian Weikang: Stipulated Amount and Free Fall / New Measurement Group: Analysis
e-flux Announcement
Posted: December 22, 2023
Category
Photography
Subjects
China, Historicity & Historiography, Conceptual & Post-Conceptual Art
Institution
kurimanzutto
A Story of a Merchant
e-flux Agenda
Posted: November 28, 2023
Category
Colonialism & Imperialism
Subjects
China, Diaspora
Institution
Shanghai Biennale
Participating artists in 14th edition
e-flux Announcement
Posted: October 20, 2023
Category
Film
Subjects
Cosmism, China
Institution
Joan Kee and Serubiri Moses: Mao and Afro-Asia in Context
Joan Kee and Serubiri Moses
e-flux Events
Posted: October 6, 2023
Subjects
Africa, East Asia, Southeast Asia, China, Art History, Community, Solidarity
Han Nefkens Foundation
Hao Jingban wins the Moving Image Commission 2023
e-flux Announcement
Posted: October 2, 2023
Subjects
Video Art, Covid-19, China
Institution
Shanghai Ming Contemporary Art Museum
Yangtze River Waterways: An Interdisciplinary Artistic Research Project
e-flux Announcement
Posted: September 30, 2023
Subjects
China, Water & The Sea, Infrastructure
Institution
M+, West Kowloon Cultural District
M+ Sigg Collection: Another Story / Sigg Prize 2023
e-flux Announcement
Posted: September 26, 2023
Category
Globalization
Subjects
China, Revolution
Institution
New York reception for 14th Shanghai Biennale: Cosmos Cinema
Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, Ben Eastham, and Chamberlain Zhang
e-flux Events
Posted: September 14, 2023
Category
Film
Subjects
Biennials, Cosmism, The Cosmos, Experimental Film, China, East Asia
e-flux Announcement
Posted: August 10, 2023
Subjects
Domesticity, Diaspora, China
Institution
M+, West Kowloon Cultural District
Madame Song: Pioneering Art and Fashion in China
e-flux Announcement
Posted: August 9, 2023
Category
Film
Subjects
Fashion, China, Consumerism
Institution
CAFA Art Museum, Beijing
Painting Xinjiang
e-flux Announcement
Posted: August 9, 2023
Category
Modernism
Subjects
China, Art History, Realism
Institution
Shanghai Biennale
Theme and artistic team of 14th edition
e-flux Announcement
Posted: June 26, 2023
Category
Film
Subjects
The Cosmos, Cosmism, China
Institution
Francisco Carolinum Linz
Yan Pei-Ming: Portraits
e-flux Announcement
Posted: June 4, 2023
Category
Painting
Subjects
Portraits, China
Institution
# 136
The Call of the Unknown in Art and Cosmotechnics
Yuk Hui and Barry Schwabsky in conversation
Cybernetic logic is always about the pursuit of a telos. So if you ask artificial intelligence to write a poem, it is always determined by an end, and this end is calculable. But in what I call tragist logic or shanshui logic we find a similar recursive movement, yet the end is something incalculable. So how can we relate back the question of the incalculable to our discussion of the use of artificial intelligence?
e-flux Journal
Posted: May 10, 2023
Category
Philosophy, Technology
Subjects
China, Japan, Artificial intelligence, Art History