Raoul Peck’s Lumumba, with Feza Kayungu Ramazani and Natacha Nsabimana
Haile Gerima’s Sankofa, with Honey Crawford and Merawi Gerima
“Will AI Also Remember the Days of Slavery?,” a lecture by Charles Mudede
Caste slavery was legitimized through myths, and “justified” through spiritual means. Over the long span of thousands of years, such myths have been compromised and appropriated through many more stories. This is what we Dalits mean when we refer to the oppressive environment long upheld through Brahmanic knowledge production.
Black Code/Code Noir
I had seen the banner before; it was made by the former dean of the School of Military Design at Pratt. The SMD dates back to World War II when the institute, rising to meet the moment, ran an Industrial Camouflage Program and recruited students on campus. Five alumni of the time, including Ellsworth Kelly, became known for their service in the “Ghost Army,” a unit that employed creative tactics—inflatable tanks, phony radio transmissions, even fake generals—to deceive German forces. Pratt leveraged their success and built lasting ties with the military, creating a new model of art school.