examines the long noirish shadows the Cold War still casts over our current moment.
explores the domain of the many specters and ghosts (both friendly and malevolent) with whom we are forced to cohabit.
gathers pieces that yogically stretch and expand the limits of the human body, of embodiment, and of “the human” itself.
addresses the myriad contemporary forms of psychic and physical violence, from wars fought in the name of “civilization” to the impossibility of actually depicting peace.
shuttles between the radical forms of go-slow, quiet quitting, and social refusal that comprise the decision to down tools.
purloins its title from silviculture forestry terminology to examine the manifold paradoxes of sustainability, ecology, wastage, and re-usage.
groups together pieces which engage questions of cosmopolitanism, nationalism, and neocolonial territorialization.
turns to examine the little nations of the museum, opening up onto larger questions of exhibition-making and curatorial strategy.
collects texts that ask: How to overcome institutional inertia and sclerosis? In different ways, each of these contributions sets out to address the problems of the commons, of living together, and what remains of the public sphere.