e-flux Screening Room focuses on the intersection of contemporary art and film. It is a space for exploring artists’ cinema, video art, and experimental film historically as well as through contemporary practices and theory, and through curated screenings, lectures, and symposia.
Technological and economic paradigm shifts in recent decades have caused moving-image art to become even more multi-disciplinary, geographically dispersed, and ephemeral than ever before, while prompting new ways of producing, exhibiting, and disseminating films and videos that market-based film festivals fail to understand. e-flux Screening Room is dedicated to exploring the space between experimental film, cinema, and contemporary art where such emergent approaches to moving-image art can flourish.
The Screening Room is an educational space to study and learn about the histories of moving-image art. It is a venue where avant-garde films of the 1920s, underground and experimental film movements of the 1960s, expanded cinema practices, late twentieth-century video and installation art, and twenty-first century artists’ films can be contextualized within an overarching focus on artists and movements from parts of the world excluded from or unfamiliar to dominant canons of the film and art industries.
A lecture by Johanna Gosse
Films by Maher Abi Samra, Marwa Arsanios, and Jumana Manna
A talk by Ahmet Öğüt
Lecture-performance by Olia Sosnovskaya
A lecture by Jonathan Walley
A lecture by Andrew V. Uroskie