LT-LT-10312 Vilnius
Lithuania
Hours: Wednesday–Monday 12–8pm,
Saturday 11am–7pm,
Sunday 11am–6pm
A few centuries ago, when the Sapieha Palace bustled with the aristocracy of The Grand Duchy of Lithuania, art was an integral feature of the daily life and wealth of the palace owners and their guests. Restored and reopened in spring 2024, the palace promises to enrich everyone with culture.
Resurrected from the ruins, the Sapieha Palace aims to become a vibrant and lively place on the cultural map of Vilnius, inspiring, educating and enabling all members of society to broaden their cultural horizons in a unique environment. Through various activities, the Sapieha Palace actualisies questions about preserving and adapting its heritage to contemporary life, and aims to create an open and harmonious relationship with the environment and various communities.
The Sapieha Palace is a significant monument of architecture, art, and history. It is part of an ensemble that encompasses the former residence of the Sapiehas – a noble family of the Grand Duchy of Lithuania – along with the Trinitarian monastery, church, and park. Only a few ensembles of Baroque architecture as unique as that of the Sapieha Palace remain in the region.
The practical purpose and symbolic significance of the Sapieha Palace changed over time. At the end of the 17th century and for the first few decades of the 18th century, during an interesting and complex period in the history of the state, the palace was a luxurious residence for the nobility. Throughout the centuries it also served as an instrument of war, a school, a trophy and a refuge. For a long time, the palace was a hospital, and in the Soviet era, it was integrated into a military complex. For the past three decades, it has stood completely empty. After thorough research and extensive restoration work, the palace will soon be full of life again.
The curation of the Sapieha Palace has been entrusted with Contemporary Art Centre (CAC), the largest contemporary art institution in the Baltic States. Like the CAC, the Sapieha Palace is not a museum and will not accumulate a collection of art, but rather, its activities will seek to reflect the various phenomena of a constantly changing reality and the history that is an integral part of the present. The new custodians of the palace are keen to ensure that the exhibitions, concerts and other events weave contemporary art with works of the past. There are multiple opportunities for visitors to meet the creators of contemporary art, literature, music and cinema, and to be continually engaged in the ever-changing history of both the palace and its surroundings.