Staff Picks: Dan Graham

Staff Picks: Dan Graham

e-flux

Dan Graham, Rock My Religion (clip), 1983–84. Courtesy of Electronic Arts Intermix (EAI), New York.

September 1, 2024
Staff Picks: Dan Graham
Rock My Religion: September 1–30
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e-flux Film is very pleased to present the September 2024 edition of our online series Staff Picks, featuring Dan Graham’s Rock My Religion (1983–84, 55 minutes).

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the “reeling and rocking” of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock’s sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage, and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock ‘n’ roll music.

Watch the film here.

Dan Graham (1942–2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, Graham published a large array of critical and speculative writing that spanned the spectrum from art theory essays to reviews of rock music, Dwight D. Eisenhower’s paintings, and Dean Martin’s television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.

Staff Picks is a streaming series on e-flux Film of recommended videos designed to disrupt the monotony of an algorithm. Before the end times of big data, we used to discover suggested content along dusty shelves in video rental stores, where Post-it notes scribbled by shift workers implored us to experience the same movies that made them guffaw, scream, or weep. Sometimes the content bored us, sometimes it overwhelmed us, and sometimes, as if by magic, it was just right. e-flux invites you to relive this rental store mode of perusal, with personalized picks curated through judgment that does not take into consideration your viewing history. 

For more information, contact program [​at​] e-flux.com.

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September 1, 2024

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